The following Glossary of Terms provides simple definitions for words commonly associated with the chemnitzer concertina. This glossary is a work in progress and will continue to grow and change as visitors to this web site help to complete the feature. The list of terms is presented below in alphabetical order.
0 - 9
56, 76,
96, 102 or 104 Key
Describes the number of tones for the instrument. Each
button operates one set of reeds that makes two sounds
depending upon whether the bellows are being
pressed or drawn. A
concertina with 24 buttons on the bass side and 28
buttons on the melody side of the instrument is a 104 key
instrument [(24 + 28) x 2 = 104].
A
A-Flat,
Ab
Describes the key of the instrument.
This is also known as a "5 Press F" instrument since
pressing the button labeled with a "5" while pushing the
bellows will produce a tone in the key
of F. Click Here to access a
feature to help determine the key of your instrument.
ABC
A scripting language designed to notate music in an ASCII
format. It was designed primarily for folk and
traditional tunes of Western European origin (such as
English, Irish and Scottish) which can be written on one
stave in standard classical notation. However, it is
extendible to many other types of music such as that for
the chemnitzer.
Air
Lever
Chemnitzer concertinas are bisonoric, so
the musician uses the air lever to
release the bellows allowing further
movement in the direction (push or
draw) required.
B
B-Flat,
Bb
Describes the key of the instrument.
This is also known as a "5 Press G" instrument since
pressing the button labeled with a "5" while pushing the
bellows will produce a tone in the key
of G. Click Here to access a
feature to help determine the key of your instrument.
Bass
Side
The left-hand side of the instrument, typically used to
produce rhythmic bass chords. See
Keyboard Layout for more
information.
Bellows
The folded paper and leather part of the concertina that
is used to create air flow to pass by the
reeds when the bellows
are pushed or
drawn.
Bellows
Driven Free Reed Instrument
Musical instruments that pass air over a
reed causing it to vibrate so that it
will produce a sound. The air flow is created by
pushing or drawing a
bellows device. This family of
instruments include various types of concertinas,
accordions, bandoneons and some organs.
Bellows
Frame
The section of the concertina that is used to connect the
bellows to the section that houses the
keyboard action.
Bisonoric
A bisonoric instrument produces two
notes depending upon whether the bellows are pushed or
drawn (e.g. a chemnitzer or bandoneon). A
unisonoric instrument produces the same
note on both the push or the draw (e.g. an
accordion).
'Box
An abbreviated version of the word
squeezebox; a slang term often used to
describe a concertina or accordion.
Button
Layout
See Keyboard Layout.
C
C
Describes the key of the instrument.
This is also known as a "5 Press A" instrument since
pressing the button labeled with a "5" while pushing the
bellows will produce a tone in the key
of A. Click Here to access a
feature to help determine the key of your instrument.
Chemnitzer
A region in Germany where the chemnitzer concertina
keyboard layout was standardized. This
term is used as a name for the group of bellows driven
free reed instruments that use this type of
keyboard layout.
Chemnitzer Notation
The special notation used to match the musical score with
the button labels shown on the chemnitzer concertina's
keyboard layout. The symbols with a
carat (or "hat") above them designate that the
bellows are to be
pushed while the button is pressed.
Those without a carat above them designate that the
bellows are to be drawn
while the button is pressed.
Chicago
Tuning
Describes the tuning of the reeds.
Chicago tuning refers to the
reeds being tuned to have a moderate
amount of tremolo. This type of tuning
is most common in concertinas used to play Polish style
music originating from Chicago, Illinois.
Corners
Staves and corners are
thin and narrow strips of metal or plastic used to
protect the edges of the bellows.
Bellows are constructed of folded paper
with flexible leather joints that can be easily damaged.
The staves and corners
provide an attractive means to provide protection.
Czardasz
See Oberek.
D
Double
Reed, Double
Describes an instrument that sounds two reeds for each
button that is pressed. Usually one medium and one
piccolo (high) reed (designated as MH) on the
melody side.
Draw,
Drawn
Pulling or drawing the bellows
apart.
Dry
Tuning
Describes the tuning of the reeds.
Dry tuning refers to the
reeds being tuned to not have any
tremolo at all. This type of tuning is
most common in concertinas used to play German or
Dutchman style music.
E
E-Flat,
Eb
Describes the key of the instrument.
This is also known as a "5 Press C" instrument since
pressing the button labeled with a "5" while pushing the
bellows will produce a tone in the key
of C. Click Here to access a
feature to help determine the key of your instrument.
F
Fox
Trot
A song written in 4/4 time. Played at a slow tempo,
usually between 40 to 55 bpm, but dependent upon the
region of performance or the origin of the music.
G
GIF
Pronounced jiff or giff (hard g). An acronym for Graphics
Interchange Format, a bit-mapped graphics file format.
This standard for graphics file compression was developed
by CompuServe.
H
High
Triple
See Triple.
I
J
K
Key (of
the instrument)
The musical note of the tone that sounds when the button
labeled with a "5" is pressed while the
bellows are pushed is the
key of the concertina. Click Here to access a feature to help
determine the key of your instrument.
Keyboard
Action
The device which translates the musician's button
selection to the mechanical movement of reed or key pads.
The keyboard action should quickly and
smoothly allow the reed or key pad to
open when the button is pressed, allowing air to flow
past the reed to produce a tone.
Keyboard
Layout
The configuration of the keyboard on each side of the
instrument. The chemnitzer keyboard
layout is unique amongst
bellows driven free
reed instruments. Click
Here to view a graphical image of the standard
chemnitzer keyboard.
Kujawiak
See Oberek.
L
M
Mazurka
See Oberek.
Melody
Side
The right-hand side of the instrument, typically used to
play the melody line of the song. See
Keyboard Layout for more
information.
MIDI
An acronym for Musical Instrument Digital Interface.
MIDI devices use digital files that
store information in a form called a MIDI message, which
encodes aspects of sound such as pitch and volume as
8-bit bytes of digital information. Some chemnitzer
instruments have been modified to be used as a
MIDI device.
Minnesota Tuning
See Dry Tuning.
MP3
An alternate name for a layer-3 MPEG ("Moving Pictures
Experts Group") date file. It is a sound compression
format that can create near CD-quality sound files while
maintaining a small file size.
Musette
Tuning
Describes the tuning of the reeds.
Musette tuning refers to the
reeds being tuned to have a heavy amount
of tremolo.
N
O
Oberek
A song written in 3/4 time with a strong accent on the
first beat. Played at a moderate tempo, usually between
45 to 65 bpm, but dependent upon the region of
performance or the origin of the music.
P
Plate
Reeds
Plate reeds are groups of individual
reeds riveted to a common zinc or
aluminum plate. The plates are mounted to reed
blocks. Plate reeds are
considered to provide superior tone to all other types of
reed mounting methods.
Polka
A song written in 2/4 time with a strong accent on the
first beat. Played at a fast tempo, usually between 110
to 125 bpm, but dependent upon the region of performance
or the origin of the music.
Push,
Pushed
Compressing or pushing the bellows
together.
Q
Quad
Reed, Quad, Quadruple
Describes an instrument that sounds four reeds for each
button that is pressed. Usually one low and three medium
reeds (designated as LMMM) and less often one low, two
medium and one piccolo (high) reeds (designated as LMMH)
on the melody side. Other configurations
can be found on instruments tuned to a less common
key.
R
Reed,
Reeds
A flexible strip of metal set into a reed
block that produces a tone by vibrating in
response to a stream of air created by the concertina's
bellows.
Reed
Block
A wooden structure that provides for the mounting of a
number of reeds to the sound
board.
Release
Valve
See Air Lever.
S
Shift,
Shifts
A mechanical switch that blocks or opens the path of air
to certain reeds preventing or allowing
them to sound. Use of the shifts provides the musician
with the ability to create different configurations of
reeds on concertinas that have three or
more sets per button (triple).
Single
Reed, Single
Describes an instrument that sounds one reed for each
button that is pressed.
Sound
Board
A wooden board that separates the
bellows from the keyboard
action with a leak-proof seal. The sound
board provides for the mounting of the
reed blocks.
Squeezebox
A slang term often used to describe a concertina or
accordion.
Staves
Staves and corners are
thin and narrow strips of metal or plastic used to
protect the edges of the bellows.
Bellows are constructed of folded paper
with flexible leather joints that can be easily damaged.
The staves and corners
provide an attractive means to provide protection.
Switch,
Switches
See Shift, Shifts.
T
Tremolo
Amplitude modulation of a tone at a variable frequency;
meaning that the volume of the tone is increased and
decreased at a specific rate. Not the same as
(vibrato).
Triple
Reed, Triple
Describes an instrument that sounds three reeds for each
button that is pressed. A Low Triple
usually sounds one low and two medium reeds (designated
as LMM) and less often one low, one medium and one
piccolo (high) reed (designated as LMH) on the
melody side. A High
Triple usually sounds two medium and one piccolo
(high) reed (designated as MMH) on the
melody side.
U
Unisonoric
A unisonoric instrument produces the
same note on both the push or the draw (e.g. an
accordion). A bisonoric instrument
produces two notes depending upon whether the bellows are
pushed or drawn (e.g. a chemnitzer or bandoneon).
V
Vibrato
A tremulous or pulsating effect produced by small and
rapid variations in pitch. Not the same as
tremolo.
W
Waltz
A song written in 3/4 time with a strong accent on the
first beat. Played at a slow tempo, usually between 30 to
45 bpm, but dependent upon the region of performance or
the origin of the music.
Waxed
Reeds
Waxed reeds are reeds
riveted to individual zinc or aluminum plates. The plates
are mounted to reed blocks using a
special formulation of wax. Waxed reeds
are the same type of reeds used in most modern
accordions.
Wet
Tuning
Describes the tuning of the reeds.
Wet tuning refers to the
reeds being tuned to have
tremolo. This type of tuning is most
common in concertinas used to play Polish or Czech style
music.
X
Y
Z
Supreme Concertina
