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The following Glossary of Terms provides
simple definitions for words commonly associated with the
chemnitzer concertina. This glossary is a work in progress and
will continue to grow and change as visitors to this web site
help to complete the feature. The list of terms is presented
below in alphabetical order.
56, 76, 96, 102 or 104 Key
Describes the number of tones for the instrument. Each
button operates one set of reeds that makes two sounds depending
upon whether
the bellows are being pressed or drawn. A
concertina with 24 buttons on the bass side and 28 buttons on
the melody side of the instrument is a 104 key instrument [(24 +
28) x 2 = 104].
- A -
A-Flat, Ab
Describes the key of the instrument. This is also
known as a "5 Press F" instrument since pressing the button
labeled with a "5" while pushing the bellows will produce
a tone in the key of F. Click here to
access a feature to help determine the key of your instrument.
ABC
A scripting language
designed to notate music in an ASCII format. It was
designed primarily for folk and traditional tunes of Western
European origin (such as English, Irish and Scottish) which can
be written on one stave in standard classical notation. However, it is extendible to many other types of music
such as that for the chemnitzer.
Air Lever
Chemnitzer concertinas are bisonoric, so the musician
uses the air lever to release the bellows allowing
further movement in the direction (push or draw)
required.
- B -
B-Flat, Bb
Describes the key of the instrument. This is also
known as a "5 Press G" instrument since pressing the button
labeled with a "5" while pushing the bellows will produce
a tone in the key of G. Click here to
access a feature to help determine the key of your instrument.
Bass Side
The left-hand side of the instrument, typically used to
produce rhythmic bass chords. See Keyboard Layout
for more information.
Bellows
The folded paper and leather part of the concertina that is used
to create air flow to pass by the reeds when the
bellows are pushed or drawn.
Bellows Driven Free Reed Instrument
Musical instruments that pass air over a reed causing
it to vibrate so that it will produce a sound. The air flow is
created by pushing or drawing a bellows
device. This family of instruments include various types of
concertinas, accordions, bandoneons and organs.
Bellows Frame
The section of the concertina that is used to connect the
bellows to the section that houses the keyboard action.
Bisonoric
A bisonoric instrument produces two notes depending upon
whether the bellows are pushed or drawn (e.g. a chemnitzer or
bandoneon). A unisonoric instrument produces the same
note on both the push or the draw (e.g. an accordion).
'Box
Abbreviated version of the word squeezebox; a slang term
often used to describe a concertina or accordion.
Button Layout
See Keyboard Layout.
- C -
C
Describes the key of the instrument. This is also
known as a "5 Press A" instrument since pressing the button
labeled with a "5" while pushing the bellows will produce
a tone in the key of A. Click here to
access a feature to help determine the key of your instrument.
Chemnitzer
A region in Germany where the chemnitzer concertina
keyboard layout was standardized. This term is used as a
name for the group of bellows driven free reed instruments that
use this type of keyboard layout.
Chemnitzer Notation
The special notation used to match the musical score with
the button labels shown on the chemnitzer concertina's
keyboard layout. The symbols with a carat (or "hat") above
them designate that the bellows are to be pushed
while the button is pressed. Those without a carat above them
designate that the bellows are to be drawn while
the button is pressed.
Chicago Tuning
Describes the tuning of the reeds. Chicago tuning
refers to the reeds being tuned to have a moderate amount
of tremolo. This type of tuning is most common in
concertinas used to play Polish style music originating from
Chicago, Illinois.
Corners
Staves and corners are thin and narrow strips of
metal or plastic used to protect the edges of the bellows.
Bellows are constructed of folded paper with flexible
leather joints that can be easily damaged. The staves and
corners provide an attractive means to provide
protection.
Czardasz
See Oberek.
- D -
Double Reed, Double
Describes an instrument that sounds two reeds for each
button that is pressed. Usually one medium and one piccolo
(high) reed (MH) on the melody side.
Draw, Drawn
Pulling or drawing the bellows apart.
Dry Tuning
Describes the tuning of the reeds. Dry tuning
refers to the reeds being tuned to not have any
tremolo at all. This type of tuning is most common in
concertinas used to play German or Dutchman style music.
- E -
E-Flat, Eb
Describes the key of the instrument. This is also
known as a "5 Press C" instrument since pressing the button
labeled with a "5" while pushing the bellows will produce
a tone in the key of C. Click here to
access a feature to help determine the key of your instrument.
- F -
Fox Trot
A song written in 4/4 time. Played at a slow
tempo, usually between 40 to 55 bpm, but dependent upon the
region of performance or the origin of the music.
- G -
GIF
Pronounced jiff or giff (hard g) stands for graphics interchange format, a bit-mapped graphics file
format. This standard for graphics file compression was
developed by CompuServe.
- H -
High Triple
See Triple.
- I -
- J -
- K -
Key (of the instrument)
The musical note of the tone that sounds when the button
labeled with a "5" is pressed while the bellows are
pushed is the key of the
concertina. Click here to access a
feature to help determine the key of your instrument.
Keyboard Action
The device which translates the musician's button
selection to the mechanical movement of reed or key pads. The
keyboard action should quickly and smoothly allow the
reed or key pad to open when the button is pressed, allowing
air to flow past the reed to produce a tone.
Keyboard Layout
The configuration of the keyboard on each side of the
instrument. The chemnitzer keyboard layout is unique
amongst bellows driven free reed instruments. A
graphical image of the
standard chemnitzer keyboard can be found
here.
Kujawiak
See Oberek.
- L -
Long Plate Reeds
See Plate Reeds.
Low Triple
See Triple.
- M -
Mazurka
See Oberek.
Melody Side
The right-hand side of the instrument, typically used to play
the melody line of the song. See Keyboard Layout
for more information.
MIDI
An acronym for
Musical Instrument Digital Interface. MIDI devices
use digital files that store
information in a form called a MIDI message, which encodes
aspects of sound such as pitch and volume as 8-bit bytes of
digital information. Some chemnitzer instruments have been
modified to be used as a MIDI device.
Minnesota Tuning
See Dry Tuning.
MP3
Another name
for a layer-3 MPEG ("Moving Pictures Experts Group") date file. It
is a sound compression format that can create near CD-quality
sound files while maintaining a small file size.
Musette Tuning
Describes the tuning of the reeds. Musette tuning
refers to the reeds being tuned to have a heavy amount of
tremolo.
- N -
- O -
Oberek
A song written in 3/4 time with a strong
accent on the first beat. Played at a moderate tempo, usually
between 45 to 65 bpm, but dependent upon the region of
performance or the origin of the music.
- P -
Plate Reeds
Plate reeds are groups of individual reeds riveted to
a common zinc or aluminum plate. The plates are mounted to
reed blocks. Plate reeds are considered to provide
superior tone to all other types of reed mounting
methods.
Polka
A song written in 2/4 time with a strong
accent on the first beat. Played at a fast tempo, usually
between 110 to 125 bpm, but dependent upon the region of
performance or the origin of the music.
Push, Pushed
Compressing or pushing the bellows together.
- Q -
Quad Reed, Quad, Quadruple
Describes an instrument that sounds four reeds for each
button that is pressed. Usually one low and three medium reeds (LMMM)
and less often one low, two medium and one piccolo (high) reeds
(LMMH) on the melody side. Other configurations can be
found on instruments tuned to a less common key.
- R -
Reed, Reeds
A flexible strip of metal set into a reed block that
produces a tone by vibrating in response to a stream of air
created by the concertina's bellows.
Reed Block
A wooden structure that provides for the mounting of a
number of reeds to the sound board.
Release Valve
See Air Lever.
- S -
Shift, Shifts
A mechanical switch that blocks or opens the path of air to
certain reeds preventing or allowing them to sound. Use
of the shifts provides the musician with the ability to create
different configurations of reeds on concertinas that
have three or more sets per button (triple).
Single Reed, Single
Describes an instrument that sounds one reeds for each
button that is pressed.
Sound Board
A wooden board that separates the bellows from the
keyboard action with a leak-proof seal. The sound board
provides for the mounting of the reed blocks.
Squeezebox
A slang term often used to describe a concertina or accordion.
Staves
Staves and corners are thin and narrow strips of
metal or plastic used to protect the edges of the bellows.
Bellows are constructed of folded paper with flexible
leather joints that can be easily damaged. The staves and
corners provide an attractive means to provide
protection.
Switch, Switches
See Shift, Shifts.
- T -
Tremolo
Amplitude modulation of a tone at a
variable frequency; meaning that the volume of the tone is
increased and decreased at a specific rate. Not the same as
vibrato.
Triple Reed, Triple
Describes an instrument that sounds three reeds for each
button that is pressed. A Low Triple usually sounds one low and two medium reeds (LMM)
and less often one low, one medium and one piccolo (high) reed (LMH)
on the melody side. A High Triple usually sounds two medium and one piccolo (high) reed (MMH) on
the melody side.
- U -
Unisonoric
A unisonoric instrument produces the same note on both
the push or the draw (e.g. an accordion). A bisonoric
instrument produces two notes depending upon whether the bellows
are pushed or drawn (e.g. a chemnitzer or bandoneon).
- V -
Vibrato
A tremulous or pulsating effect produced by
small and rapid variations in pitch. Not the same as tremolo.
- W -
Waltz
A song written in 3/4 time with a strong
accent on the first beat. Played at a slow tempo, usually
between 30 to 45 bpm, but dependent upon the region of
performance or the origin of the music.
Waxed Reeds
Waxed reeds are reeds riveted to individual zinc or
aluminum plates. The plates are mounted to reed blocks
using a special formulation of wax. Waxed reeds are the
same type used in accordions.
Wet Tuning
Describes the tuning of the reeds. Wet tuning
refers to the reeds being tuned to have tremolo.
This type of tuning is most common in concertinas used to play
Polish or Czech style music.
- X -
- Y -
- Z -
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